Monday 30 November 2015

Wayfinding ideas: Feedback

In the first formative feedback I made some questions without letting the others know what I am going to work on. For this I got 3 questions:

1.- Small signage vs Big signage. What connotations (not uses) do you think they have?

The answers I got for this question where over all relating the size of the signage with the signage of the area where these signs would be. Distances also are an important fact to consider when choosing sizes. Someone also pointed out that small signage are for not so important areas whereas big signs often indicate the most popular/busy/important areas.

2.- Is there any other way of signage you could think of without using arrows?

Answer: Anamorphic typography, a clever system design by dots, which I took it a little bit further and just to use two lines to represent the corners of a square. Also colour schemes was a suggestion I was considering after realising that Graphic Design section in College is the only one with different lighting, which it's quite easy to identify.

3.- It's the first time you are in a building. how do you expect to quickly find what you are looking for?

The answerers claimed that the first reaction is to look for wall signage. Probably signage on the ceiling or floors are effective as well, depending on the limitations, but the walls are where our eyes first look at.



Book Definition

A book is a printed, handwritten or painted work in a series of sheets of paper, parchment, vellum or any other material, joined from a side (bound) and protected with covers. A book can be about anything.

Unesco states that a book should have 49 pages or more (25 sheets or more), as from 5 to 48 pages
 (from 3 to 24 sheets) it would be a booklet, and from 1 to 4 pages its considered loosen sheets.

Looking for different binding methods I found a website called Designers Insights that clearly shows and explains different types of binding methods.

In this video Matt Thorne, pro photographer and design whiz, shares his secrets for great book design. He walks you through book design and layout essentials and touches upon tips and tricks to help you with every aspect of bookmaking, from workflow to typography to final layout.

The Book Design Blog is also a source of inspiration, where one can find multiple and different examples of book design.

Some examples about other publications with alternative use of elements:




















Thursday 26 November 2015

Business Cards

Since I am going to be moving and my girlfriend's business of teaching Spanish private lessons is thriving I thought it could be a good opportunity to use the techniques learnt at college so far to make business cards for current and potential students.

Trying to stick to Vignelli's canon I wanted to create something minimalist, effective and flexible. I tried different colours to see what combination worked better. At the beginning I tried a horizontal text but it was lacking dynamism and excitement. The white vertical line was something my girlfriend wanted to add and I finally was able to convince her to remove, as from afar it looked like a flag from a country of Northern Europe.






I decided to use a red-orange background and white text in Helvetica on the front to make it stand out. The back is also written in Helvetica, excepting the name and the acronyms for e-mail, telephone and Facebook, which are written in Caslon and are also in orange to create contrast and make the letters easy to relate with what they are representing. I chose Caslon for the name to add formality to the teacher figure. 

I decided to use Helvetica for the front because it is modern, clean, and makes look that learning Spanish can be an exciting and enjoyable experience. The text is skewed on the sides to give a sense of efficiency and dynamism, all far away from traditional booking look like. The cut on the sides enhances that modern and dynamism approach, like 'you don't need to see (know) everything to understand what you see. It's easier than you think'. The kerning of the word Spanish is quite close to convey that tension and intensity of being effective and active. 'I want to learn Spanish, and I want to do it now' kind of feeling. 'Learn' and 'in leeds' is a bit separated from the main text to bring some relaxation, some feel of ease to the process. The lessons aim to be simple but empowering, just like the design: minimalist but forceful.








Wednesday 25 November 2015

Wayfinding Research

In order to gather visual information for the Studio Brief 1 and Study Task 1, I took my camera and head to the city centre and see how many way finding signs I was able to photograph. I was able to see examples of good practice and others of bad practice.

Street signage for pedestrians is clearly designed for this purpose, as it is above heads to avoid obstacles when reading and does not have a massive size for the font, so it's unlikely that car drivers can read it. The contrast between white letters and blue or grey background makes it easier to read. Only important buildings or institutions are represented with symbols (like train station), which makes easier to identify them if that is what one is looking for. Although, there is no consistency between the colours and shapes of different signs. The grey signs have the arrow within the shape of the sign itself, while in the blue ones it is illustrated on the top right. There is definitely a consistency between this blue kind of signage and the ones with the map.




The map uses the colours yellow and blue to divide areas in the city. The red to make the viewer easily identify where he is at that moment. It is big enough so more than one people can check the map and the information is still legible.


The entrance to the German Market is clearly identified by this temporary arch with the title written at the top centre of it.


Yellow road signage is temporary, while the white is fixed. Despite their difference in colour, there is a consistency in the design: the illustrated arrow and the shaped sign.



 Also the roads themselves are used for way finding purposes. Important to notice how the arrows are designed. Not directly pointing in a direction, but it gives time to the driver to follow the line with the eyes.




The main galleries were closed on Monday (they open the rest of the week). Although I got into the library to get some signage and I found some inconsistency in it. They used the same font, sizes and colours to indicate directions, but they had the information either on board signs or illustrated on the wall. That can be a problem for someone who is only looking for the board signs thinking that is the only way information is displayed.




There was way finding outside as well. There could be a more professional indication on the door to indicate where to go when the gallery is closed, but at least it keep some consistence with the colour and font of the signage outside.




Disable access indicated outside Henry Moore institute.



UK regulatory signage for fire exit and the obligation to keep the way clear.



Text within an arrow to indicate a doctor's surgery in The Light.



International signage for escalators. Clearly understandable without the use of words.



Information hard to find in The Light. I did't really understand why they used different colours for the floors if there was just one signage (that I could find) in each floor.




Cinema way finding. 'Upstairs' concept easily represented to show where are certain rooms.




More international signage for information. The text is probably to make it look those regulations friendlier, as it doesn't give extra information.



'Automatic door' written in english with black text on white background and viceversa. Don't see the use of both of them and it could be easily represented with symbols, as Santander bank do in the next picture.




Leeds Station clearly identified from City Square. The position of it is clearly not accidental, is made it that way. It also has the signage of Metro, the transport company, and the one of train station.



These signage have the same design pattern as road signage, but they are for pedestrians to inform where to go to have access to different buses.



A church for all religions have a text on it but also the symbols of the beliefs, so there it is not mistake and no language boundary.




Bus routes map. Yellow background and white for streets not used by buses. Every bus has a colour assigned and the number is indicated throughout its line.



Examples of good signage and bad signage. It would be much more effective to represent the second one with a shape rather than with text. Even more next to the train station, where tourists that don't speak English may be.




In this phone booth the telephone is a symbol, but "Coins & Cards" is written. The colour red works well as all the surrounding signage have other colours, like blue, white or yellow.


All the train station has the blue signs above a green line with a sans-serif clear font on it (Helvetica? Univers?). The way finding system is quite consistent, and everything that can be illustrated with symbols it's done that way.










The problem with translating something to many languages it's risky, and a good example of it is this. There is a piano that can be played by anyone in the station, and it says "play me" on it in different languages. I don't know about the other languages, but in Spanish says "Juégame", which doesn't makes sense at all. The actual translation should be "Tócame" (literally touch me), so there are probably more mistakes. It would be much more effective to use a single symbol.



Another example of good practice (first) and bad practice (second). Tickets is a very international word, but even though it's always good to try to make everyone understand what is everything for.




I also took a tour in some supermarkets. The first one is Tesco, which illustrates sections with images and names. While in Wilco they simply use words using the colour of the brand as a background. If one gets in Wilco we don't need to be reminded where we are, so I think those signs and colours could be of more use.








Within the Trinity shopping center I looked at the signage and the signage was very clearly and consistently designed. The floors had different colours like in "The Light", but in each floor those colours were widely used. Also the bins with the recycling system are very easy to spot. One doesn't need to spend too much time looking where to throw away what.







I'll be sorry if a foreign that doesn't understand English parks in front of this sign.


Part of the Leeds College of Art signage system is consistent. Similar to the one used in the train station, its a grey background with a white line underneath and Helvetica for indications.





Medical systems with regulated signage.



An arrow can be more helpful than we think in order to find "the other door"



Very inconsistent use of signage to illustrate the functions of the rooms.






More examples of clear and succesful use of signage. Although, the green bin illustration should have a green background too.





These are examples of signage that is useful and very minimalistic, but the rest of the building doesn't use it.





This signage system found after the reception is a bit confusing as well. Maybe grouping the arrows by directions would ease things up. If every destination had the same design on the door that would be a fair justification for it. But, for instance, the Lecture Theatre not only has two names (which creates confusion itself) but also the sign doesn't have the same aspect as the one found after the reception. Not to mention the 'Mosiac Café', a spelling problem that might make a student look for a non-existing cafeteria forever (I hope not).